180gm vinyl LP pressing. Unlike the '80s reissues which were cut from the original analogue master tapes, the audio on these releases has been cut from the high resolution remasters of 2015 when the Maiden catalogue was digitally upgraded. They will be packaged in identical artwork to the initial vinyl releases and will be issued chronologically across a three month period. The '90s proved to be a difficult time for heavy metal bands in general, but Iron Maiden plowed forward, notching up yet more success with albums like 1992's acclaimed Fear Of The Dark. Available for the first time on LP in the U.S., the album served as the band's ninth studio effort overall and was the last to feature vocalist Bruce Dickinson until his return in 1999. Debuting at No. 1 in the U.K. and climbing to No. 12 on the Billboard Top 200 in the U.S., the album marked a return to classic '80s form yielding killer singles like "Be Quick Or Be Dead" and the epic title cut.
A1. Be Quick Or Be Dead
A2. From Here To Eternity
A3. Afraid To Shoot Strangers
B1. Fear Is The Key
B2. Childhood's End
B3. Wasting Love
C1. The Fugitive
C2. Chains Of Misery
C3. The Apparition
D1. Judas Be My Guide
D2. Weekend Warrior
D3. Fear Of The Dark
Barcode and Other Identifiers:
Barcode 0 190295 852344
Matrix / Runout BH65511-01 A1 0190295852344-A CB
Matrix / Runout BH65511-01 B1 0190295852344-B CB
Matrix / Runout BH65511-02 C1 0190295852344-C CB
Matrix / Runout BH65511-02 D1 0190295852344-D CB
Phonographic Copyright (p) Iron Maiden LLP
Copyright (c) Iron Maiden LLP
Licensed To Parlophone Records Ltd.
Record Company Warner Music Group
Published By Imagem London Limited
Pressed By Optimal Media GmbH
Recorded At Barnyard Studios
Mixed At Barnyard Studios
NEW & SEALED VINYL
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It is really important to keep in mind that, although the records are new and sealed they sometimes have 3 or 4 ports of call before they make it to us and then you. The manufacturer, the distributor, customs, our warehouse and then out to you. This does mean that, from time to time, albeit very rarely, some records (particularly the covers) will have slight deficiencies such as small creases, split seams, corner scuffs etc. This is normal and part of the process and are generally considered ‘superficial transit wear’.
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